Waves of Inspirationis a writers’ conference dedicated to exploring multiple sources of inspiration for writers.
It features four different tracks – spirituality, nature, theater, and art — as well as 15 different presenters.
The Conference lasts for four days and includes sessions on poetry, faith, inter-disciplinary creativity boosts, the enriching aspects of restriction, and more. Extra-curricular options include trolley rides, fish boils, and a trip to Peninsula Players.
I’ll be conducting three workshops; When Paintings Speak: Art, Empathy, and Creating Characters, Complex vs Flat Characters: Digging Deeper into the Human Soul, and, lastly,on a trolley ride to Woodwork Gallery I’ll discuss using visual art as a writing prompt, and with a tour of the gallery to follow.
Remember, I’m only one of 15 presenters, so there will obviously be lots to do and discover.
Plus, it’s in Door County in the summertime and all Conference events (except the field trips!) take place at the Landmark Resort in Egg Harbor.
Sounds pretty much perfect, doesn’t it?
I hope to see you there!
Please Note: The $295 early bird registration fee does not include accommodations at the Landmark Resort, although a group rate is available through the Conference. Be sure to check the registration form carefully to make sure you’ve signed up for all the extras and field trips you want.
Writers are often asked where they get their ideas, and that’s a good damn question. As far as I can tell, memory, imagination, dreams, bits of history, overheard conversations, observations, and popular culture combine in unpredictable ways to fuel a story. The past is always awake telling us where we’ve been and what we’ve known. The future alights in reverie or dreams, at the blurred edges of our vision, offering glimpses of what might be possible. Imagination bundles up rag-tags of this and that and pushes them into consciousness where a whole new thing takes form. None of this is analyzed by the writer, certainly not this writer: when the muse arrives with a full suitcase, I welcome her like a queen.
But here’s my latest answer to that perennial question of where a writer’s ideas come from — they come from the brilliant minds of others! On that note, when recently asked by a friend what writers I’d invite to a dinner party, the following list popped into my head. And what a list! Can you imagine what a vibrant, eclectic, and profound conversation might ensue?
Enchantment. I hope the word sends a thrill up your spine! When was the last time your conversation turned to enchantment? Who talks about enchantment these days? That may be one of the reasons it interests me. As a writer, I’m interested in what isn’t being said in the public sphere—the unsaid and the unspoken.
The German philosopher Wittgenstein explored the subject of enchantment. According to him, enchantment transports us beyond our finite selves. To be enchanted, he wrote, was “to show the fly the way out of the bottle.” To show the fly the way out of the bottle! The French poet Paul Eluard said, “There is another world, but it is in this one.” I agree. Enchantment is with us here, now.
And yet we seem so attracted to enchantment’s opposites—cynicism, irony, mistrust—qualities that show up in lots of contemporary fictional characters who reflect our twenty-first century discouraged and disenchanted point of view. Enchantment, instead, would have us stand in the place of wonder and consider ourselves apprentices in the mystery of Being.
I’ll share a recent discovery—the role enchantment has played in my writing—and how the enchanted state in a writer, in this case me, seeps into the work itself. Another way of saying this is that what’s in the psyche of the writer shows up transmuted on the page. Transmuted is key because sometimes only the slightest aroma of the original idea is evident in the final written form. Think of it this way: The rapture expressed in Mozart’s The Magic Flute is directly related to the rapture Mozart presumably felt while composing it. If Mozart was filled with rapture, rapture will be in his music.
When I was first starting out as a poet, I discovered Writer’s Relief. Ronnie Smith, the founder, was exquisitely aware of how writers often work very hard on something and then procrastinate in sending the piece out for publication. What she and her staff formed was an agency that did all the dirty work for writers. Writer’s Relief is now celebrating its tenth year, and if you check on their website you’ll see what a fantastic boon for writers it has become including great free advice on their blog, video tutorials, and a free publishing toolkit. They stay loyal to their clients. They were kind enough to do a shoutout on their Tumblr blog when The Conditions of Love was first published last year.
The WR blog currently features a Q&A with me about the process of writing. I always wonder when I do these interviews if anyone reading them will actually find them helpful. I try to offer tips I’ve actually find useful, and ones you won’t find in most writing advice columns. Here’s one I doubt you’ll find in any book or blog on writing:
Have a sangha, the Buddhist word for a place of refuge. Cultivate a group of friends who love and support you and who understand the challenges of your writing life. Make sure you can belly laugh with them too. A good minute of belly laughing does wonders for the creative spark.
I have found that “recharging” with friends has often been critical to staying healthy and sane. And there are four more suggestions I hope will provide comfort and support to a writer somewhere. One fun aspect to this interview: Writer’s Relief is giving away a free copy of TCOL to one lucky reader who comments or asks me a question on the blog before June 11. Check it out and let me know what you think. You could be the winner.