Necessary Descents: What Myths Reveal about Darkness

The Return of Persephone (1891) by Frederic Leighton for descent post

 

As the siege of global instability continues, many of us are experiencing increasing levels of anxiety, anger, depression, and despair. From the beginning of human history, upheaval and change have sent entire populations into states of helplessness, frustration, exhaustion, and fear. If you are currently being derailed by powerful feelings, please know you are not alone. Your feelings are not to be disregarded or dismissed. Our lives and our planet are being shaken by enormous shifts. The good news is that we have the capacity to adapt and transform.

When we feel powerless and overwhelmed, how can we reawaken our spirits, uncover new possibilities in intractable problems, and enliven our sense of hope? Where can we find new resources to meet the challenges of our time?

Echo and Narcissus (detail) (1903) by John William Waterhouse for descent blog postOur deep human past may hold the answers. Ancient myths—so crucial to every thriving civilization—remind us of who we have been, what we have learned, and how we have prevailed. Myths offer deep insight about human travails, illustrate the internal and external obstacles we encounter on the road to developing resilience and show where we can find help. Refined and retold over millennia, they are nutritive stories that feed us an infusion of trustworthy and eternal wisdom.

Imagine the world’s great myths as a vast library containing a record of human hardship and struggle, heroic undertakings and surprising rewards. Mythic stories depict archetypal, universal themes concerning our most basic instincts and emotions—fear, greed, bravery, family relationships, power, injustice, conscience, our relationship to nature and the natural world—situations and dilemmas not unfamiliar to our modern psyches. These myths survive, sometimes in the form of popular entertainment, and continue to absorb us.

They highlight issues that are still ripe in our lives. An entire industry exists to mine ancient myths for television and movie scripts. Consider how stories about family rivalries, sibling jealousy, corrupt leaders, dissolving empires, and alien invasions fill our imaginations. The old myths reappear in new forms, often so disguised we barely recognize them. Narcissism, a mental health diagnosis much discussed in public forums during the past four years, is a term derived from the Greek myth of Narcissus. To return to the original myth is to understand the tragic and sorrowful story of a beautiful youth who falls in love with his own reflection in a spring and, unable to love others, dies pining for his own image.

The underworld and overworld. Both have always existed—in myth, dream, and reality. In our lifetimes we navigate each domain, the dark and the light. Lately, I’ve been investigating what the metaphor of descent, a common motif in myths, might reveal.

"Jona in the whale" (2010) by Janny Brugman-de Vries in Groningen, the Netherlands.Descent into the underworld appears in many myths as part of a transformative process that is an initiatory rite for our souls. “Katabasis” is the Greek term used to describe “going below.” To go below means to be separated from the daylight ordinary world. Symbolically, it signifies being cut off from one’s usual resources and helpers; it means finding a way to see and respond when the familiar falls away. (Imagine Jonah in the belly of the whale or Alice down a rabbit hole.)

Storyteller and mythographer Michael Meade reminds us that in the underground, in the darkness and unfamiliar territory of “below,” renewal occurs. Meade points out that in myths, going beneath the earth can be understood as gaining access to forgotten, secret or hidden wisdom buried in our depths. What may feel to us as “being in the dark” is a sacred space deep within us rich with new or cut-off energies.

“Wisdom can reveal the light hidden in dark times; but it requires that we face the darkness in ourselves. People may desire pearls of wisdom, yet most are unwilling to descend to the depths where the pearls wait to be found. Wisdom involves a necessary descent into the depths of life, for that alone can produce ‘lived knowledge’ and a unified vision.”—Michael Meade, Fate and Destiny

The depths in the subterranean basement of our unconscious are where archetypal and instinctual knowledge percolate. Think of seeds incubating beneath the soil, stirring with new life, or the multitude of invisible creatures at work preparing the soil for regeneration. Think of dream images that come in the midnight hours to awaken our curiosity and bring fresh insights to our conscious minds.

The Rape of Proserpine (ca. 1650) by Simone Pignoni (1611–1698) for descent blog postA classic Greek myth that features descent as one of its key motifs is the story of Demeter and Persephone. Attributed to Homer, author of the Iliad and Odyssey, the “Homeric Hymn to Demeter,” recounts the story of the rape and abduction of Persephone, daughter of Demeter, goddess of agriculture and fertility. The myth has many variations and interpretations, but simply told, the story unfolds as follows:

One day while Persephone is picking flowers in a meadow, the ground beneath her begins to shake and splits open. From the crack in the earth emerges Hades, driving his horse-drawn black chariot. Hades, most powerful god of the Underworld, brother of sky god Zeus, kidnaps the young maiden and drags her into the depths.

In the above world, her mother, Demeter, grief-stricken, flies across the land inconsolably crying out for her child. As the goddess of harvest and grain, Demeter’s lamentations and rage at Zeus for allowing this event to happen cause a blight over the earth. Crops wither, fields go fallow.

Persephone’s cries for help fade. Soon the mother can no longer hear her daughter. In the Underworld, the daughter can no longer hear her mother. Here the descent is neither expected nor made by choice. It is a brutal act of male power and privilege. But does the story convey a truth? In life as in myth, we must separate from the all-embracing, all-protective mother love.

Persephone holding a pomegranate (1874) by Dante Gabriel Rossetti As the story resolves, Zeus pleads with Hades to return Persephone to her mother. Hades agrees but tricks Persephone into eating a pomegranate seed, an act that consigns her to have to return to live with him for one-third of every year as Queen of the Underworld.

The violent separation and ultimate reuniting of Demeter and Persephone have many dimensions: it can be seen as a story about the complexity of a mother-daughter relationship, about maternal love that is too binding, and about a daughter’s need for maternal love juxtaposed to her need to discover her own resources and strength.

Our descent into the “below” might feel like death, as depression sometimes does. Life, energy, the ordinary world might feel forever lost and irrecoverable, but the great myths tell us otherwise. A descent is often followed by an ascent. When we return to the upper world, we bring with us new life. This is the meaning of Persephone’s reunion with Demeter.

The myth of Demeter and Persephone feels particularly relevant at this time. Many of us, myself included, are looking for wisdom to be garnered when we are plunged into darkness. Inhabiting this troubling new terrain, our vision must adjust. In the underworld, the future is murky and unknowable, but the myth is a reminder that the stolen daughter does not die in Hades—she escapes, matures, and thrives. She learns to see in the dark.

We are not given details about Persephone’s experience in Hades, except that she obediently serves her four months as Queen of the Underworld. What does she see below? What does she learn in the darkness? I’ve always wondered what riches, what gems, what secrets might be visible in the strata beneath the earth.

Close your eyes for a moment. What do you see in the dark?

Persephone is allowed to return to her mother for two-thirds of the year, her annual emergence generating the springtime renewal and flourishing of the land. Like the natural world, like history itself, we, too, experience cycles of flow and dormancy, depression and aliveness. We might take from this a lesson about patience with ourselves as we explore new, unfamiliar, and even frightening dimensions of ourselves in a world turned upside down.

The next time you feel the tug of despair or an encroaching mood about to pull you below, the next time you are tempted to lament our dark times, remember how the terrible winter of Demeter’s grief was followed Persephone’s re-emergence into the world, and with her, the blossoming of the trees and fields.

This post appeared in a slightly different form on Dale’s blog on Psychology Today. You can find all of Dale’s blog posts for Psychology Today at 

If you enjoyed this post, you may enjoy these other related posts about myths: “Revisiting the Myth of Narcissus and ‘Healthy Narcissism,’” “Given Away: The Plight of the Wounded Feminine,” and “The Hero’s Journey in the Time of COVID.”



Revisiting the Myth of Narcissus and “Healthy Narcissism”

Narcissus by John William Waterhouse for "Healthy Narcissism" blog post

 

As portrayed by the eighth-century Roman poet Ovid, Narcissus is a handsome lad pursued by “youths and young girls” but indifferent to their attention. One day, while hunting alone in a shady virgin forest, he comes across a clear pool of water; bending to drink, he is transfixed by what he sees. Instantly, as if pierced by one of Cupid’s arrows, he is “struck with wonder by what’s wonderful in him … He wants himself.” Narcissus, writes Ovid in Allen Mandelbaum’s wonderful translation, “tries to quench one thirst,” and “feels another rise.” The lad has fallen into fatal self-admiration.

The story does not end happily. Speaking to his reflection in the water, the besotted Narcissus says, “Your gaze is fond and promising; I stretch my arms to you, and you reach back in turn. I smile and you smile, too…” But when Narcissus tries to embrace his simulacrum, the image disperses.

He knows not what he sees, but what he sees

invites him. Even as the pool deceives

his eyes, it tempts them with delights. But why,

o foolish boy, do you persist? Why try

to grip an image? He does not exist—

—Ovid, Metamorphoses (Allen Mandelbaum translation)

Despite his frustration and suffering, Narcissus cannot leave the spot. He lies beside the  pool and wastes away. In the poem’s concluding stanza, Ovid tells us that even in the underworld, after death, Narcissus continues to stare into the pool of Styx, fixated forever on his own image.

Narcissus at the Fountain for Healthy Narcissism blog postProfessor Jack Zipes, a renowned author and expert on fairy tales and myths reminds us in Fairy Tale as Myth, Myth as Fairy Tale that “myths and fairy tales seem to know something we do not know.… We keep returning to them for answers.” We may toss them off as lies, but “these lies are often the lies that govern our lives.” One way to look at myths is to view them as symbolic representations of our internal psychic world. By examining their narratives, we gain access to the deepest workings of our minds and hearts. “Mythology is a psychology of antiquity,” writes James Hillman, the great archetypal Jungian analyst, in The Dream and the Underworld. And “psychology is a mythology of modernity.”

What can we learn by examining the archetypal roots of Narcissus’s story, the origin of the term “narcissism,” by which we generally mean self-absorbed and self-referential behavior?

Like all human behavior, narcissism exists on a spectrum, and in itself, is a necessary component of healthy development. The child in a Superman cape ready to leap from his bed, the skateboard champion who flaunts her flip tricks—we accept these as instances of “healthy narcissism,” a pride in one’s ability to accomplish and prevail. Narcissistic traits are universal. Who of us hasn’t snuck a glance at our reflection passing a window, or stared outright into a mirror, entranced by the mystery of self? What is healthy about narcissism needs more attention, especially now, when narcissism is often loosely applied, usually pejoratively.

Narcissus by Caravaggio for Healthy Narcissism blog postNarcissism in infancy and childhood is a crucial factor in helping a child differentiate between “I” and “Other” by establishing a coherent core self. During early stages of development, if a parent’s response to her child’s need for food, soothing and mirroring is satisfactory, the child feels seen and recognized and can proceed to evolve without the anxiety that her needs will not be met. According to British pediatrician and psychoanalyst D.W. Winnicott, the mother (or primary caretaker) must be “good enough.” The good enough mother successfully navigates the path between satisfying her own needs and yet remaining sensitive to her child’s need for nourishment, physical care, emotional warmth and love. The ideal is not for “perfect” parental mirroring. Even if that were possible, it would interfere with the child’s ability to develop a sense of her own agency and resilience.

“Healthy narcissism” in adults facilitates feelings of adequacy and self-worth. The artist who speaks enthusiastically about his latest painting may not be bragging or asking for undo praise as much as trying to share a process that is meaningful to him. He is not driven by self-interest, but rather by a social interest in communicating something important about his inner world. He is talking to us, not at us, and he will be only mildly disappointed, not violently enraged, if we interrupt, disagree, grow bored, or change the subject. We are neither at the mercy of his self-adoration nor captive to his envy and rage. He is seeking an empathic response. We can feel the difference between this kind of exchange with a person and one driven by a person’s compulsive need for admiration and confirmation of his own reality. Dr. Erica Serlin, a licensed psychologist in the Department of Psychiatry in the University of Wisconsin School of Medicine and Public Health says, “No single act defines a narcissist or Narcissistic Personality Disorder. Assessment depends on duration, frequency, intensity (or degree of distress), and functional impairment or interference with developmentally appropriate expectations.” The hallmarks of narcissism in its more malignant form are hard to miss: grandiosity, rage, envy, and lack of empathy. The volatility and fury behind these states sting and burn.

Narcissus by Claude Martin for Healthy Narcissism blog postBut in Ovid’s version of the myth, Narcissus does not grow enraged. Instead, he is “undone by unattainable love” and withers away by the pool. The dramatic moment is one of sorrow and grief. His sisters, the Naiads, water nymphs, lament and crop their hair. Here the myth might be telling us that beneath the manifest destructive energy of a narcissistic personality exists a depressed and sorrowful soul. Like today’s diagnosed narcissist, Narcissus sees only an idealized likeness, one that ignores the warts and blemishes that mar our human surface—what Jung would call “the shadow.” His self-identity is inflated, unrealistic, and incomplete. To become whole complex human beings, in Jungian psychology, our task is to accept the disowned and split off energies secreted away in our shadowy unconscious. As Jung once put it, “Until you make the unconscious conscious, it will direct your life and you will call it fate.” Once integrated into a new and expanded self-image, these once barred-from-consciousness, shaming aspects of ourselves can rejuvenate our psyches, which have to labor hard to deny and dissociate. Freedom from those labors releases the withheld energy needed to revitalize the psyche.

In “Narcissus’s Forlorn Hope,” the essay he contributed to the book A Clear and Present Danger: Narcissism in the Age of Trump, Jungian analyst James Hollis writes,“Is not the central task of psychotherapy to examine, identify, what stories, what concepts, what self-images have captivated us, led us to our current impasse, our suffering, and to bring them to the surface, challenge them, and perhaps replace them with something larger, more capacious? Freud called the process Nachérziehung, or re-education, given the need to repair, or redeem the original paideia, or education, which instructed us as to who we were and what we were to do with our lives.”

Perhaps this is why Ovid ends his treatment of the myth of Narcissus on a note of redemption. The Naiads cannot find his body. Where Narcissus once lay, they find “a flower, its yellow center circled by white petals.” Known as a narcissus or daffodil, the flower blooms in spring, often around Easter, and is associated with rebirth or resurrection. Could this suggest that even those of us stuck in stasis are capable of transformation and change? Neuroscience and research on brain plasticity reflect a growing awareness that our identities, our old gripes and woes, our ancestral patterns, and even our neural grooves may not be fixed, but more fluid and shifting than we consciously understand.

Narcissi flowers aka daffodils for Health Narcissism blog post

This post appeared in a slightly different form on Dale’s blog on Psychology Today. You can find all of Dale’s blog posts for Psychology Today at